26 12 / 2012

26 11 / 2012

jvictoriawrites:

If you want to write for a living, you will lose friends and lovers. The chance you will be rich and famous is miniscule. It is hard work and it feels like you are always splaying your innards out for the world to see. Write anyway.

You can write the story, you can not write the story - people will have a problem either way. They will say, “You don’t write for the right people” or “You can/should do better” or “You don’t write enough” or “You write too much.” Remember: The people doing all that talking? They’re not writing. Writers write. Talkers talk. You should let them.

Take what is useful and leave the rest. Always. Most writers I know and admire say they try to take both praise and criticism as the ephemeral feedback they can be.

The most effective, enduring tool in your writer’s toolbox is discipline.

Writers who don’t like to read are typically bad writers. Reading gives you a wealth of life and experience that you don’t have time to experience firsthand, and it both deepens and expands your work at the same time.

Call yourself whatever you want: journalist, writer, blogger, content creator. Labels are really only useful for food. What really matters: Courage, humility and endurance.

People who procrastinate believe they have time. The wise among us know that we are always working against the clock.

Procrastination is a good mask for things we’d rather not admit to ourselves. But excuses, delays, refusal to submit to journals, to apply for grants, residencies or scholarships - these are self-sabotage. I read somewhere that professional writers should view submission as a business. This is why, at any given time, I have three calendars in rotation to keep track of deadlines.

You miss 100 percent of the shots you don’t take. (Wayne Gretzky)

Do what you need to do to get your work out there if you really want to be published. No one is coming to do it for you. There are a ton of people who are threatened by the combination of hard work, talent and good timing.

When you don’t put your work into the world, they win.

Do or do not, the Jedi Master says. There is no try.

I need this. All of it.

26 9 / 2012

After 587 days, I wrote a poem.

Check it out.

09 9 / 2012

"Sometimes it’s easy to forget that real people produce the documents we see. For instance, when we see billboards on the freeway, an instruction manual for a computer, or an application form for employment, we often forget that a writer or a team of writers actually sat down to produce those documents."

Dobrin, Keller & Weisser. Technical Communication in the Twenty-First Century. 2008. pg33

One of my professors in my Technical & Professional Communications program explained to us last week that she used to work for Quaker Oats for a few years, writing nutritional and other hodge podge information found on cereal boxes, and writing the small, short manuals that come with the toys that come in cereal for children. Everyone was shocked. Who knew people really took time, and got paid real money, to do that? And to think, that’s what I’m in school for…ha!

Luckily, it’s an industry that will never go away. We will always need writers, even for the things that people barely give their attention.

31 8 / 2012

Diaz shares his feeling on Encyclopedia Brown, Octavia Butler, the books he loves, the stories that made him cry, the book that pissed him off

20 8 / 2012

16 8 / 2012

"If you’re dating a writer and they don’t write about you — whether it’s good or bad — then they don’t love you. They just don’t. Writers fall in love with the people we find inspiring."

Jamie Anne Royce (via yesikastarr)

It’s true.

(via nilesheron)

(Source: thoughtcatalog.com, via nilesheron)

16 8 / 2012

roxanegay:

1. Read diversely.

2. Write.

3. See items 1 and 2.

4. Accept that there is no one way to make it as a writer and that the definition of making it is fluid and tiered.

5. Accept that sometimes literary success is political and/or about who you know and that’s not likely to change. Yes, celebrities are going to keep publishing terrible books. Yes, Lisa Rinna’s Starlit is an actual thing. I read the book and… I’m scarred. But. You’re not getting better as a writer, worrying about the system. 

5a. If you’re a woman, writer of color or queer writer, there are probably more barriers. Know that. Be relentless anyway. Strive for excellence. Learn how to kick the shit out of those barriers. Don’t assume every failure is about your identity because such is not the case. 

6. Accept that sometimes cream actually does rise to the top and hard, consistent work will eventually get noticed, maybe not in the way you envisioned, but some way, some how. 

7. Understand the actual odds and learn to love the slush pile. The slush pile is not your enemy. It’s actually one of your best friends.The truth is that a significant percentage of the slush pile, which I prefer to call the submission queue, is absolutely terrible because people are lazy and will submit any old thing. If you can write a good sentence you are already heads and shoulders above most of what is found in submission queues. You’re not competing against 10,000 submissions a year a magazine receives. You’re competing against more like 200.  Those are still intimidating odds but they’re also far more reasonable.

8. Be nice. The community is small and everyone talks. Being nice does not mean eating shit. Being nice does not mean kissing ass. Being nice just means treating others the way you would prefer to be treated. If you’re comfortable being treated like an asshole, then by all means. 

9. Know that more often than not, editors have your best interests at heart. Stand up for your writing but be open to editorial suggestions. A good editor is giving you feedback in service of your writing.

10. Ignore most of the atrocious writing advice that proliferates at such an alarming rate. 

11. Stop listening to conspiracy theories about publishing. 

12. Stop listening to doomsday predictions about publishing. 

13. Don’t talk yourself out of the game by listening to conspiracy theories, doomsday predictions, and bad advice.

14. Make note of the distinction between writing and publishing. They are two very different things.

15. Know that you can get an agent through the mystically fearsome slushpile. It may be hard. It may take more time than you want but it can and does happen. I found my first agent through the slush pile. She’s great. My second agent found me because of essays I wrote. Sometimes people find agents at conferences, or through friends of a friend, or other such connections but you absolutely can go the old fashioned route.

15a. Do your research. Know what agents are interested in. Spell their names correctly. Have a book you give a damn about and make sure it shows. Know how to talk about your book.

15b. If you want to see a sample query letter, just ask a writer who successfully signed with an agent through the slush pile. They will probably share.

15c. This is an interesting take on navigating the business of agents. 

15d. But don’t be so discouraged! 

16. You do not need to live in New York to be a writer, though New York is great (dirty bathrooms aside) and it might be better if you live elsewhere and visit New York for a few days at at time. 

17. Perspective is everything. Someone getting a book deal is not taking yours away. Success is not as finite as it seems—it’s a matter of luck, timing, and hard work. (Or sometimes, yes, who you know).

17a. You are neither as great or terrible a writer as you assume. 

18. Know that sometimes you simply need to work harder and sometimes you’ve done the best you can do and there’s no shame in either.

19. Participate in the literary community in the ways you are comfortable participating. What matters is that you contribute. That could be subscribing to a magazine, attending a reading, volunteering at a literary magazine, and so on. (See #8)

20. Have an online presence or don’t. It’s shocking how much time writers spend stressing over this that could be spent writing. Yes, an online presence helps but only if you actually use it with some regularity. Plenty of writers don’t have a significant online presence and manage to still be writers. If you feel like having an online presence (Twitter, Facebook, Blog, Tumblr, whatever), is a pain in the ass, it’s going to show and it’s not worth having.

21. If you’re going to have a website, don’t have an ugly website. There’s no excuse anymore. If you cannot afford a designer, no problem. Use a content management system like Wordpress or Tumblr and a nice template.

22. You will probably need a job unless you’re fine with financial stress. Yes you can have a job and be a writer. It happens all the time. I used to be fine with financial stress because I was young and my fantasies were exciting. I am not anymore because I am old and I love my apartment and health insurance and buying stupid shit. A job facilitates these things so keep it in mind. There are worse things than a job.

23. Learn to deal with rejection. You don’t have to like it. You can sulk and whine and cry. You can blog about it. Just know that publishing involves rejection far more than acceptance. It’s easier if you can process that early on. 

23 a. Maybe don’t write editors who reject you to call them names. That doesn’t ever end well.

24. Have other hobbies. Don’t be one of those people who only writes and can only talk about writing. My hobbies are embarrassing but I do have them and am grateful to have them.

25. Ignore all of this as you see fit.

24 7 / 2012

05 7 / 2012

Since book publishers have a difficult time marketing, publicizing and promoting quality books by African-American authors, seasoned literary agent Regina Brooks is stepping to the plate to answer this call after assembling a diversified team of seasoned veterans to maximize more opportunities for authors of color….